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JAPY LOUIS AIME ANCIENT PAINTING 19Th CENTURY BARBIZON SCHOOL OIL ON CANVAS SIGNED THE HERD IN THE CLEARING
JAPY LOUIS AIME ( 1840 / 1916 ) The herd in the clearing . Oil on canvas signed lower right . 19,7 / 25,6 in . Original frame . Musées : Amsterdam , Budapest , Langres , Limoux , Manchester , Morlaix , Paris ( Musée d'Orsay ) Pau , Roanne , Saint-Etienne , Washington . violondingres.fr
PAIR OF ANCIENT PROVENCAL ARMCHAIRS IN WALNUT WITH A STRAW SEAT19TH CENTURY
Pair of ancient Provencal armchairs in walnut decorated with mouldings and sculptured by foliages and branches of olive trees. Base in pedals with a straw seat . Work end of 19Th century . Height :33,8 in Width : 22 in . Depth :17 in violondingres.fr
LAMBINET EMILE PAINTING XIXTh CENTURY BARBIZON SCHOOL RIVER LANDSCAPE OIL ON CANVAS SIGNED THE FISHERMAN AND THE WASHERWOMAN BY THE RIVER
LAMBINET Emile ( 1815 / 1877 ) River landscape , The fisherman and the washerwoman by the river . Oil on canvas signed and dated 1860 lower right . 12,6 / 20,9 in Original frame . Museums : Amiens , Avignon , Besançon , Brest , Cambrai , Dieppe , Dublin , Glasgow , Londres , Montpellier , Moulins , Mulhouse , Sheffield , Strasbourg , Tours . violondingres.fr
BUREAU PLAT STYLE LOUIS XV GILTBRONZE ROSEWOOD DESK ANCIENT FIRST HALF 20Th CENTURY THREE DRAWERS CRESSENT MODEL
Desk in rosewood based on 4 curved legs . 3 drawers in belt. Work in the first half of 20th century. Beautiful gilded bronze trim . 61,5 / 34,3 / 30 in violondingres.fr
DOMERGUE JEAN GABRIEL WORLDLY PAINTING XXTh CENTURY THE TOP MODEL CHICHI OIL ON PANEL SIGNED
DOMERGUE Jean Gabriel ( 1889 / 1962 ) The Top model Chichi . Oil on panel signed lower left . 9,5 / 7,5 in Original frame . Musées : Cannes - Musée Domergue - Paris : Musée Carnavalet ( Collection Seligman ) Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Pierre Cabanne et Gérald Schurr - Dictionnaire des peintres de Montmartre aux 19è et 20è siècles par André Roussard - " Jean - Gabriel Domergue : l'art et la mode " par Gérard - Louis Soyer - DOMERGUE Jean-Gabriel Born in 1889 in Bordeaux - Dead in 1962 in Paris. Painter of faces , nudes, portraits, landscapes, flowers, painter in the gouache, watercolorist, draftsman, poster designer. Jean-Gabriel DOMERGUE is a pupil, to the School of Fine Arts of Paris, an impressive quantity of professorial leading experts of period: Jules Lefebvre, Tony Robert-Fleury, Jules Adler, Fernand Humbert, François Flameng. Jean-Gabriel DOMERGUE seems, in his debuts, promises to landscape painter's career, but he becomes very early the painter of nudes and half-nudes, of a moderate aggressiveness, a roguish coquetry, which make its reputation and its fortune with a bourgeois clientele naughtier than freed , whose ultimate boldness consisted in sending the wife at the end of portrait there; whatever she is, the portrait executed with a suspect virtuosity revealed her thin, as if stretched, the bust hurt forward in a movement of offer,the salient breast slightly revealed inadvertently, the loins bent in a skin-tight dress , a neck of swan surmounted by a made up face, in the mischievous nose, of Parisian passkey, between elegance clairvoyant and hidden vulgarity. Jean-Gabriel DOMERGUE exhibited at the Lounge of the French Artists from 1906, at the age of 17, what lets suppose a big premature skill, what its work did not deny . Jean-Gabriel DOMERGUE obtains a golden medal in 1920. In 1927, he settles down in a luxurious villa on the heights of Cannes. Jean-Gabriel DOMERGUE is elected member of the Institute, then in 1955 curator of the Museum Jacquemart-André where, until 1962, he organizes very important exhibitions on Toulouse-Lautrec, Baudelaire, Van-Gogh, Berthe Morisot, Goya, as to dissipate any misunderstanding as for its taste and its personal judgment in art. Periodicals and especially the special number of " the Illustration " were worth to Jean-Gabriel DOMERGUE an enviable place in their columns and their clichés , the reproduction of his " small wife " of the year often decorating the cover . violondingres.fr
MALEBRANCHE ( MALLEBRANCHE ) LOUIS CLAUDE ANCIENT PAINTING BEGINNING 19Th CENTURY THE VILLAGE IN WINTER WITH HIS SKATERS OIL ON CANVAS SIGNED WINTER LANDSCAPE
MALEBRANCHE LOUIS CLAUDE ( 1790 / 1838 ) The village in winter with his skaters . Oil on canvas signed lower left . 10,7 / 16,1 in . Museums : Abbeville , Angers , Bar-Le-Duc , Bernay , Caen , Dijon , Langres , Nice , Niort , Paris ( Musée Carnavalet ) , Versailles ( Trianon ) . Painting exposed and listed under the number 124 at the Museum of the Fine arts of Caen in 2001 / 2002 and at the Marmottan Library at Boulobne-Billancourt in 2002. MALLEBRANCHE Louis-Claude or MALEBRANCHE Born on September 3rd, 1790 in Caen / Dead on November 4th, 1838 in Caen. Painter of livened up landscapes, landscapes of snow. The art of Louis-Claude MALLEBRANCHE is very influenced by XVIIIth century and belongs informed which groups together Demarne, Swebach and Taunay. However, it is to César Van Loo that he gets closer most. Louis-Claude MALLEBRANCHE is a pupil of Provost and Bergeret, and exhibited to the Salon from 1812 till 1838. His first landscape of snow appears in 1822. Louis-Claude MALLEBRANCHE becomes then the specialist of the effects of snow, looking for the wintry lightings, what will bring him to leave in 1837 representing mountainous sites such as Vosges, massif of the Mont Blanc and Switzerland. Very attached also in Normandy, he painted in the valley of Auge (Caen, Honfleur, Trouville). Louis-Claude MALLEBRANCHE leaves views of Brittany, Picardy, Seine-et-Marne by frequenting Meaux and Coulommiers. In 1830 Louis-Claude MALLEBRANCHE appear in the Exhibition of the Luxembourg with a view of the neighborhood of Paris and other one of Honfleur. violondingres.fr
DETROY LEON ANCIENT PAINTING 20Th CENTURY CROZANT SCHOOL THE YELOW VEIL IN THE HARBOUR IN MEDITERANNEE OIL ON CANVAS SIGNED VIEW OF FRANCE
DETROY Léon ( 1857 / 1955 ) The yelow veil in the harbour in Méditérannée . Oil on canvas signed lower right . Museums : Châteauroux . Literature : Bénézit , Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne , Crozant School les peintres de La Creuse et de Gargilesse par Christophe Ramex . Léon Detroy Oeuvers majeures , Gargilesse . violondingres.fr
FRANK BOGGS ANCIENT PAINTING LAST 19Th CENTURY AMERICAN SCHOOL VIEW OF PARIS THE BANKS OF THE SEINE OIL ON BOARD SIGNED AND SITUATED
FRANK BOGGS ( 1855 / 1926 ) Paris the banks of the seine . Oil on board signed and situated lower left . 21,2 / 24,8 in Original frame Frank BOGGS (Frank Myers Boggs) 1855 - 1926 (American - naturalized French and active in France) Painter of urban landscape, marine - watercolorist - engraver - draftsman . In Paris, he was a pupil to the School of Fine Arts then exposed regularly to the exhibition of the French Artists - In 1885, he exposed in New York and in Chicago in 1893 beside the American impressionists. Lover of Paris, its quays and its monuments, attached to the edges of the Seine everything had length of its way - Insatiable admirer of the French harbours, he multiplied the views of these sites in solidly built paintings - in skies swep by clouds, often flatware. - so F. Boggs painted in Normandy, in Brittany, in Holland, in England and in Venice - Its motives for preference are rivers and The harbours the aquatic element of which allows him to suggest the multiple nuances of the atmosphere. He also became famous with his very estimated watercolors . violondingres.fr
GAMES TABLE ANCIENT 18Th CENTURY LOUIS XV STYLE IN WALNUT
A provincial games table in walnut and fruitwood marquetry Louis XV 18Th century . Work from Grenoble end 18Th century . 34,2 / 22,5 / 28,2 in violondingres.fr
TWO ANCIENT PROVENCAL ARMCHAIRS WHICH CAN MAKE PAIR IN MULBERRY TREE WITH A STRAW SEAT 19TH CENTURY
Pair of ancient Provencal armchairs in mulberry tree . Back with crossbow headband . Base turned in bars , with a straw seat . Work beginning of 19Th century . Height :37 in Width : 20,9 in . Depth : 20,1 in violondingres.fr
VLAMINCK MAURICE DE ANCIENT PRINT SIGNED 20Th CENTURY VILLAGE COVERED WITH SNOW IN THE PERCHE MODERN ART
VLAMINCK Maurice de ( 1876 / 1958 ) Village covered with snow in the Perche . Estampe originale numérotée : 30 / 100 signée Vlaminck dans la planche et hors planche . Editions Gaillard 1957 17 / 19,8 in Musées : Anvers - Avignon - Belgrade - Berlin - Bruxelles - Chartres - Chicago - Grenoble - Le Havre - Londres - Munich - Nantes - New - York - Ottawa - Paris - St Tropez - Stuttgart - Tokyo - VLAMINCK Maurice or WLAMINCK Born in 1876 in Paris - Death in 1958 at Rueil-la-Gadelière ( Eure-et-Loir) Painter of faces , portraits, nudes, landscapes, animated landscapes, urban landscape, inside, still lives, flowers and fruits, painter in the gouache, watercolorist, engraver, draftsman, illustrator, Fauve . His name, the exact spelling of which would be of Wlaminck, means: the Flemish man - Vlaminck, and so he will sign simply his paintings. For him there was neither a School of Fine Arts, not even of Decorative arts, nor any free academy - In 1895, Maurice de Vlaminck received the advice of drawing of a member of the French Artists as well as those of Henri Rigal, with whom he worked on the island of Chatou - In 1900, Maurice de Vlaminck meets Monet - especially, he gets acquainted of Derain with whom he rents a studio ruined on the island of Chatou - Maurice de Vlaminck penetrates, in force, into the world of the art, only at the beginning of the twentieth century: He will be one of the Fauves during some years when it respected the law of the pure color, the use of the color such as it goes out of the tube- Between fauvism and definitive production of the landscapes of Beauce and the Perche, with a farm under the snow, the miscellaneous paintings of banks of the Seine or still life show that Maurice de Vlaminck had another period of " return in the shape ", in fact a period post-cézannienne, the construction of the volume and the space of which was be closed with caution to the cubism - Then concerning the production which occupied the longest part of its life (on about 1912 in its death), you should not neglect the painter of faces . The writer of art Vanderpyl said : " A portrait of Vlaminck it is also a landscape, a landscape of flesh, spring flesh or flesh lit as autumn, of flesh dry as a poor earth " - if he made nudes, they do not really play a role in the enormous production of the revolutionary of Chatou become the hermit of her house ( La Tourillière ) Maurice de Vlaminck was also a lithographer and an engraver on wood - its drawings in the Indian ink are rarer - he illustrated some of his own works, among others: Stories and Poems of my period- violondingres.fr
FRANK BOGGS ANCIENT PAINTING 19Th CENTURY AMERICAN SCHOOL VIEW PARIS CONCIERGERIE VIEW BRIDGE IN THE EXCHANGE OIL ON CANVAS SIGNED
FRANK BOGGS ( 1855 / 1926 ) Paris the Conciergerie view of the bridge in the exchange . Oil on canvas signed lower left . 21,6 / 15 in Door in the back of the frame the number 354. Original frame Frank BOGGS (Frank Myers Boggs) 1855 - 1926 (American - naturalized French and active in France) Painter of urban landscape, marine - watercolorist - engraver - draftsman . In Paris, he was a pupil to the School of Fine Arts then exposed regularly to the exhibition of the French Artists - In 1885, he exposed in New York and in Chicago in 1893 beside the American impressionists. Lover of Paris, its quays and its monuments, attached to the edges of the Seine everything had length of its way - Insatiable admirer of the French harbours, he multiplied the views of these sites in solidly built paintings - in skies swep by clouds, often flatware. - so F. Boggs painted in Normandy, in Brittany, in Holland, in England and in Venice - Its motives for preference are rivers and The harbours the aquatic element of which allows him to suggest the multiple nuances of the atmosphere. He also became famous with his very estimated watercolors- violondingres.fr
HERVE JULES RENE ANCIENT IMPRESSIONIST PAINTING XXTh CENTURY PROCESSION OF THE COMMUNICANTS LONGE PORTE AND TASSEL STREETS AT LANGRES OIL ON CANVAS SIGNED
HERVE JULES RENE ( 1887 / 1981 ) Procession of the communicants , Longe Porte and Tassel streets at Langres . Oil on canvas signed lower left . 18,2 / 15 in Original frame Museums : Annecy , Calais , Casablanca , Chicago , Dijon , Langres , Luxeuil-Les-Bains , Montreal , New York , Paris , Saint-Etienne , Tourcoing , Troyes . Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - "Jules Hervé un maître enchanteur de la peinture du 20ème siècle" by Bernard Masson - "Le haut du pavé de Langres" by Gérard Gueniot - Le peintre et l'animal en France au 19ème siècle by Elisabeth Hardouin-Fugier - Jules HERVE born at Langres ( Haute Marne) in 1887 Dead at Langres in 1981 . Painter of typical scenes,figures, portraits, landscapes. Pupil of Fernand Cormon and Jules Adler, Jules Hervé settles down in Paris and begins to expose to the Lounge of the French Artists in 1910, Jules Hervé receives a silver medal in 1914 and a golden medal there in 1925. Then Jules Hervé shares his life between Paris and his home town the humble and picturesque events, the portraits of austere sound of which he paints, of a light, expert brush in small lively brightness on grey or ochre skillfully distributed, society in the monotonous and felted existence - But Jules Hervé knows how to restore as well the full of life atmosphere of the Parisian life and his monuments or the ballerinas to the foyer of the Opera - Of its finely observed compositions emanate delicate feelings - Appreciated by the French and foreign amateurs, Jules Hervé " is devoted in his art throughout its life - Jules Hervé is considered as " the last one of the impressionists " - violondingres.fr
CHAIGNEAU PAUL ANCIENT PAINTING XIXTh CENTURY THE RETURN OF THE SHEPHERD AND ITS HERD THE EVENING IN THE PLAIN OF CHAILLY BARBIZON SCHOOL OIL ON CANVAS SIGNED
CHAIGNEAU Paul ( XIX / XX ) The return of the shepherd and its herd the evening in the plain of Chailly . Oil on canvas signed lower right . 18,1 / 21,6 in . Original frame . Chaigneau was one of the central figures in the second generation of Barbizon painters, Chaigneau combined rural subject matter inspired by his informal mentors Millet and Charles Jacque with the polished skills acquired in many years of academic training. Chaigneau's ability at figure drawing and pictorial composition gave his Barbizon and Fontainebleau scenes a distinctive originality and recognizability. And his long association with the village of Barbizon (where he maintained a home for 50 years), as well as his efforts to make Barbizon art better known internationally in 1882, with Charles Jacque, Chaigneau founded the "Societe des artistes animaliers" distinguished Chaigneau as the principal representative of Barbizon art during the last quarter of the nineteenth-century. Chaigneau was born on March 6, 1830 in the shipping center of Bordeaux, where he studied drawing under the successful academic painter Jean-Paul Alaux. In 1847, he moved to Paris to continue studies with an uncle who was a marine painter; and in 1848 he submitted a landscape to the unjuried Salon (the Revolution of 1848 had suspended the normal Salon restrictions). In 1849, encouraged by Jacques Brascassat, a family friend and successful animal painter, Chaigneau entered the prestigious Ecole des Beaux-Arts. He studied in the studio of Picot, one of the most traditional teachers at the Ecole, and in the studios of Jules Coignet and Brascassat, both more forward-looking and skilled as landscapists. Chaigneau seems to have focused on a career in landscape painting from the beginning, and he entered the quadrennial competitions for the Prix de Rome in Historical Landscape almost immediately after his acceptance at the Ecole — finishing a noteworthy 6th in 1849 and receiving Honorable Mention (runner-up or second place) in 1854. During these years, alongside his studies in the restrained, classical landscape style favored by the Coignet and others at the Ecole, Chaigneau also honed his skills as a realistic landscape artist, traveling throughout France to study a wide variety of terrain — the Rhone valley around Lyon, the Normandy coast, the marshes of the southern Landes region, and the mountains of the Auvergne. At the Exposition Universelle of 1855 he exhibited a landscape in the tradition of Theodore Rousseau, then the most highly acclaimed member of the Realist school of French landscape, entitled Marais dans les Landes. violondingres.fr
BUTCHER TABLE LAST ANCIENT 19Th CENTURY IN FORGED IRON AND BRASS
A French Butcher table end of 19 Th century in forged iron and brass . Original top white marble from Carrara . Work end of the 19Th century . 38,6 / 23,7 / 30,7 in violondingres.fr
LEMIRE CHARLES GABRIEL SAUVAGE ANCIENT BRONZE SIGNED BEGINNING 19Th CENTURY CHILD IN THE BOW
LEMIRE Charles Gabriel Sauvage ( 1741 / 1827) Sculptor . Child in the bow . Original bronze beginning of 19Th century brown patina signed on the back resting on a Sèvres base red marble . Height : 18,5 in Model created by Lemire for the Exhibition of 1814. Museums : Paris ( Musée du Louvre ) Literature : Bénézit , Bronzes in the 19Th century , Dictionary of the sculptors by Pierre Kjellberg . violondingres.fr
GILTBRONZE CHANDELIER ANCIENT RESTORATION PERIOD 19Th CENTURY
Chandelier golden bronze Restoration period and pendants. Work of Restoration period 19th century. Beautiful original gilt . 9 lights. 33,5 / 21,7 in violondingres.fr
BUFFET OF HUNTING ANCIENT XVIIITh CENTURY CARVED MAHOGANY PROVINCIAL LOUIS XVI PERIOD BORDEAUX OR NANTES
Nice furniture buffet of hunting in massive mahogany of Cuba Louis XVI period - Two doors and two internal drawers . Original ironworks , lock and key . Original royal red marble . 53,1 / 26,8 / 37 in Work from Bordeaux or Nantes . violondingres.fr
MALFROY HENRY ANCIENT PAINTING 20Th CENTURY BOATS GROUND IN NORMANDIE AT FECAMP OIL ON CANVAS SIGNED
MALFROY HENRY ( 1895 / 1944 ) Boats ground in Normandie at Fecamp . Oil on canvas signed lower right 25,5 / 14,5 in Original frame Literature : Benezit , Dictionnaire des petits maitres de la peinture par Gerald Schurr et Pierre Cabanne . MALFROY Henry Born in 1895 / Death in 1944. Impressionistic painter of landscapes and marine. Henry MALFROY exposed to the Show of the French Artists and to the Show of the Independents. He shows in his landscapes of a virtuosity of the material and the light on his views of Cassis , Martigues, Toulon and Paris. violondingres.fr
GENIN LUCIEN ANCIENT PAINTING 20Th CENTURY VIEW OF PARIS MONTMARTRE PLACE OF THE TERTRE OIL ON CANVAS SIGNED
GENIN LUCIEN ( 1894 / 1958 ) Paris Place of the Tertre animated . Oil on canvas signed lower left Lucien Genin . 21,2 / 25,6 in Musées : Monaco , Paris ( Musée d'art moderne ), Nogent sur Marne , Musée d'art moderne de Granville . Literature : Bénézit , Lucien Genin l'artiste , l'oeuvre , La vie d'artiste AWD par Bertrand willot , Dictionnaire des peintres de Montmartre aux 19è et 20è siècles par André Roussard . GENIN Lucien Born in November 9th, 1894 at Rouen / Dead in 1953 at Paris. Painter of townscapes, painter in the gouache, watercolorist, pastelliste, draftsman, postimpressionist. Lucien Génin was at first a pupil of the School of Fine Arts of Rouen, then in 1919 Lucien Génin is allowed in the school of the Decorative arts of Paris. In 1932 Lucien Génin received a prize of the Art Institute of Chicago . On 1960 a personal exhibition of its works is organized in Paris.Lucien Génin painted in the oil and in the gouache. Lucien Génin received a very complete formation, but developed a personal technique quite in spontaneity with an innocent glance on the simple things of the life. Lucien Génin mainly painted in Paris, but some views of Rouen, Lorient, Dinan, Marseille or Villefranche-sur-mer are to be noted . Lucien Génin totally specialized in the very wanted theme of the views of Paris. Lucien Génin painted with paints touchs extremely fast and easy , what explains a very plentiful production. violondingres.fr
Derniere mise a jour le zondag 20 mei 2012
